The World's First Published Moo
Interviewby Mark J. Jones
CyberStage: "Oh musEleanor"
Sphinx whispers, "is that you MJ?
Sphinx: "Say, you look awfully familiar!"
CS: "It is"
Sphinx: "Give me a sign that its really you....."
CS: "The CyberStage is over the mountain."
Sphinx: "how far ..... over the mountain :)?
Sphinx: musEleanor would like to extend greetings
to you.
MusEleanor: "We (royal) are delighted to see you...
welcome to the MuseLodge!"
CS: "I return the sentiments."
Sphinx: "So how shall we proceed!!!"
MusEleanor : "God, you always jump the gun, Sphinx!!
Hold your heavenly horses, will you?"
CS: "I would like to talk to MusEleanor"
MusEleanor is satiated with the satisfaction of being
singled out as special.
Sphinx : "oh, well, ok, so I'm chopped liver............"
MusEleanor : "Please have a seat. Make yourself
comfortable."
MusEleanor continues, "In the 13th century space was
defined as a shape ideologically.
We do that in cyberspace too. In cyberspace, we are not
limited to a flat, circular disc. We are not limited to a
round sphere. In fact, we are not limited."
CS: "We are limited only by our
imaginations."
MusEleanor : "YES YES YES YES!"
CS: "And by technology?"
MusEleanor : "The shape of the
technology will be the one we will probably impose on it, most
likely in our own image, or in the image of our limitations. On
its own, the World Wide Web is a chameleon, and can change
shape, color and scope at will. The limitations of technology are
irrelevant in a lot of ways, but in one way they are not.
CS raises his eyebrow in curiosity.
MusEleanor : "That is, we are capable of a
disembodied limited to a flat, circular disc. We are
not limited to a round sphere.
CS raises his eyebrow in curiosity.
MusEleanor : "That is, we are capable of a
disembodied communication that is virtually real. We
create our own space as we move and work along in it.
I should be saying 'you' and not 'we' since I am not of
your time == I am of ALL time...............and dont you
forget it!!! :)"
CS: "How does one argue with a diety?"
~~~~~~~~~~~~~
CS: "In cyberspace, although we are disembodied, we are
not without our prejudices. How does an artist work
with this? Do we create new identities or name new ones?"
MusEleanor : "You want the long or short answer?"
CS: "Oh hell, long."
musEleanor : "Its as if we are all amoebae
that do not know we existed unless we are irritated by a
contradiction or juxtaposition. Only linearity and
hierarchy and juxtaposition were understood as paradigms
for structure, for behavior, for laws.
Without the limitations of a linear, incremental path
connecting a beginning and an end, art can simultaneously
emulate experience and also be experiential. And, time is
democratized because past, present and future can be presented
simultaneously or in other orders or be experiential. The
technology empowers us with a perfect model because it
fosters pluralistic work and emphasizes process. Creating
virtual multi-faceted work allows us to truly live in our
imaginations.
We should be hard pressed to trade that in for making work
that is a substitution for the real. I have a motto, want to
hear it?"
CS: "YES!"
musEleanor: "Its good..... ready?"
CS sits and anticipates.
"EMULATION, OK FOR TERMINALS
TERMINAL FOR ARTISTS!"
MusEleanor : "Artists may currently
experience crisis because of the discomfort of floundering with
a new technology and a lack of efficacious models."
CS: "Absolutely"
MusEleanor : "It is a positive act of faith to surrender
to uncertainty at this time. Surrender offers room for ventilation
and development for art as well as for the emergence of new and
appropriate critical theory. And substituting virtuality for the
real in art or life, could be interpreted as a form of madness, so
its scary. Do you know the story of James Joyce and his visit to
Jung?"
CS: "No."
MusEleanor : "James Joyce once went to consult Jung
about his daughter, who was schizophrenic. Joyce, also
cognizant of the seeming parallels between his written, and his
daughter's spoken, speech, asked just how this was possible.
Jung replied, 'You dive, she sinks.'"
CS: musEleanor, could you explain the meaning of this a bit more?
MusEleanor : "there are other issues too,
about arbitrary borders between countries, between disciplines,
particularly between language and image."
CS: "In some ways we are living in the
Renaissance today. No?"
MusEleanor: "I think its earlier -- I think its the
13th century. And this time, it'll go right!!"
Email to: Editor Email to: musEleanor Email to: Adrianne Wortzel