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This interview isnt going to print.
Its going to the Web. How do you feel about that?
Mike: I think online magazines like
yours are great. I'll buy Rolling Stone, and it's already out of
date, but you go to the website, and you'll actually get news by the
day! And I really think things could go that way. I dont even need
to buy it anymore, because I can look at it on the Web. I like to go
out and by magazines, but if I don't have time, I'll check it out on
the Web.
Joe: The great thing about the Web
is that its a totally level playing field for anyone. I can put
up Kennel District stuff, and somebody will go to the Tea Party
website and might say "That's crap." Then they go to
Kennel District just as easily, and say "Oh yeah, thats great."
Mike: Or they may hate Kennel District
and love Tea Party. But thats right, the playing field is totally
level. Obviously money is a factor, between large corporations,
small corporations, but I've seen major labels whose sites are crap.
I've seen smaller sites that are so much better.
Joe: Its a great way to get your music
out to people. Out of all the industries Ive seen on the Web, I
think that the music industry is the one industry that can take the
most advantage of it. Especially from an independent point of view,
its the one tool that can really help a band, I think, because as I
said, it levels everything out.
Mike: Actually, we played with a band
once called Don Knotts Overdrive. Well, last night I found their
website. They're from LA, and now I have a way to contact them,
click a button and send them a note.
Joe: In this business, its all
about networking and contacts. For smaller labels its all about
distribution and getting your stuff out there. I got an e-mail
today from a guy in Russia who has his own label, and he's looking
to get his stuff over here. "Come and see my website. If you
like it, you can pick up some of my stuff, I'll pick up some of your
stuff over here and there you go." Suddenly you're an
international corporation and you didn't have to do anything! |